Explorations with Tape & Looping with Alliyah Enyo
This hands on workshop with Alliyah Enyo explores her practice and techniques using tape and looping technologies. She will demonstrate a range of ways to play with samples and the voice to create collaged compositions and live performances. There will be a few ways to approach making and playing with sound during the workshop, delivered in a relaxed way so you can play, ask questions and discover new technologies.
Bring a notebook if you want to take notes, we also highly recommend bringing any .mp3 or .wav files on a usb or SD card to potentially process onto tape.
The workshop is for 16–25* year olds. To reserve a spot please fill out the sign up form.
Please note there is a limited capacity, and places will be reserved on a first come, first serve basis.
No prior knowledge or experience is required!
Please email us via music.space.projects@gmail.com with any questions.
We reimburse all participants travel costs, we can discuss this with you once your place is confirmed.
*Our activity is for people up to the age of 30 if they are:
– Disabled, including those with a long-term illness, neurodiverse people and anyone else who would identify with the social model of disability.
– Care experienced, and/or have been a young carer (including those with children or those who have cared for/are caring for someone with a long-term illness or disability).
Venue information (Soundplay Projects)
This session will be held at Soundplay Projects.
Soundplay Projects is located on the 9th floor of One Cadogan Square, at 51 Cadogan Street, Glasgow G2 7HF. Follow this link for a short video showing how to access the space.
The building has lift access, and disabled parking is available at the front of the building. The space is fully accessible.
Closest public transport: The venue is in Glasgow city centre, within walking distance of Glasgow Central Station and Anderston Station.
Parking: Disabled parking is available at the front of the building.
Access: Lift access to the 9th floor.
Alliyah Enyo creates vocal-led experimental compositions, most often performed in site specific spaces which allow her to harness and respond to natural echoic phenomena. Their style drifts seamlessly between choral, ambient, medieval, folk, leftfield r&b and neo-classical music. Inspired by electronic music pioneers, Alliyah harnesses historical analogue processes, taking a particular fascination in creating tape loops through the use of reel-to-reel machines. Her experimental, self taught approach to sound is often complimented by collaborations with classically trained musicians which take the form of interdisciplinary performances for festivals across the UK and Europe. Sites include; Norberg Festival, Mimerlaven Tower; Edinburgh Sculpture Workshops Beacon Tower; Hybrid Festival, Groningen Cathedral; Mortuary Chapel Arbroath; Dilston Gallery London, Concrete Church; Fiber Festival, Royal Concerthall Amsterdam. Alliyah’s work is predominantly created for Glasgow based label Somewhere Press her discography includes ‘Echo’s Disintegration’ 2022 and ‘Selkie Reflections’ 2024, which featured reworks by Florian T M Zeisig. She is currently working on her third solo album with the label titled, ‘When All is Dust’ which will be released 2027. Image credit: Lizzie Urquhart

